>second to none

>I know clearly that Gidian art after Wildian art, after Proustian art, are part of the implacable continuity of the Jewish program. [215] Getting all the goyes to fuck each other.
here in french the word fuck is more like assfuck
>Why are all these castrates coming to infect us with their novels? of their emotional simulacra? Since they are once and for all, opaque, blind, penguins and deaf! Why don't they devote themselves solely to description, that is to say, to the rehashing and patching up of what they have read in books?... descriptive goncourtism, objective rummaging at full force, Zolaism à la 37, even more scientific-judolatre, Dreyfusian, liberating, than the other or the very minisculeizing analysis of buggery à la Prout-Proust, "rise-nuance" in fly quarter half dart?
(Fart-Proust in french)
> Our beautiful neo-classical, Goncourtian and Proustophile literature is nothing but an immense flower bed of dried out boorishness, an infinite dune of wriggling ossicles
>That it is well proven, very clear, quite classic, from this day that the irresolute bosom fucker Prout-Proust, the Jewish Miche aux Camélias "will take the same rank of eminence in everything and everywhere, in the manuals and minds that Honoré de Balzac!... Sound the bugle!"

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His prose is second to none.